Too Much Free Time

Discussion and reviews of games for NES, Intellivision, DOS, and others.

Archive for the ‘Freeware’ Category


Posted by Tracy Poff on November 12, 2016

Undo by Neil deMause (credited in the game as “null dogmas”) is a 1995 interactive fiction game, entered in the first annual interactive fiction competition. The premise is that when the game opens, you’ve just finished the last puzzle in a buggy, corrupted interactive fiction game, and have only to reach the exit to win.

The game is very brief–I spent about ten minutes beating it, exploring everything as thoroughly as possible–but it has a few entertaining bits. For example, if you check your inventory, you’re told that “You have everything that you need.”, and in the Binary Room you can take 0 (or take nothing) and your inventory will change to “You have nothing.” If you take other objects, e.g. take 1, then “You have nothing and a 1.” You can drop nothing and then “You have a 1 and everything that you need.” Inspired by The Hitchhiker’s Guide to the Galaxy, if I’m not mistaken, quite appropriate for a piece of IF which is about a piece of IF.

The game’s solution more or less makes sense, though you’re more likely to stumble across it than to reason it out. I’ve written some invisiclues-style hints for the game, if you’re stuck.

Undo has a few neat ideas and an interesting premise, but it doesn’t really do anything with them, and feels more like Speed-IF than a real game. It can safely remain a relic of the past.

Posted in 1995, Decent, Freeware, Full Review, Interactive Fiction, Platform Independent, Uncategorized | Tagged: , | Leave a Comment »

IFComp 2014: One Night Stand

Posted by Tracy Poff on October 19, 2014

The third game I’ve played from the 2014 ifcomp is One Night Stand by Giannis G. Georgiou. You play Sandy, a woman who is trying to discover the name of the man she just spent the night with.

One pre-spoiler note: the download from the comp website just has an HTML file with a link to a web-based version of the game, but the story file can be downloaded, if you follow that link. You’ll need a Quest interpreter to play it.

(This post contains spoilers. Read at your own risk.)

First, a note about online play: the online interpreter was rather slow to react, occasionally taking many seconds to complete a command, and usually missing the first few characters of each command I typed, since it was still scrolling the response text. This was irritating, but it otherwise worked fine, and it was at least visually attractive. Not ideal, but better than nothing, given that I don’t actually have a Quest interpreter.

ONS is a short comedy game with one puzzle sequence. I spent about 35 minutes prodding everything in the game before I finished, but I imagine 10 minutes would more than suffice, if you just proceed toward the goal–and particularly if you aren’t using the rather slow web-based interpreter.

I appreciate the customized responses to trying to take various objects, and the randomly chosen sections of text (e.g. when knocking on Mara’s door) are a nice touch. The ending, though not entirely unexpected, is a good enough payoff for the few minutes the game takes to complete.

On the other hand, you don’t have any real options–either you proceed linearly through the story, or you don’t proceed at all. I wanted to try tricking the dude into saying his name. To break down in tears to avoid the situation. To call him Rumpelstiltskin, if his name is so important. Anything to have some choice–but I had none. More mundanely, there are few objects implemented, and no real, interactive NPCs. The parser is a little obtuse, too: you’ve got to knock door or use bottle on floor, which aren’t exactly the first commands that came to mind.

Overall, an average-quality game, which would probably be more at home in the first ifcomp than the twentieth.

Post-review pre-posting note: Okay, I think this review needs an addendum. Other reviewers seem to be unanimous in despising this game. It was my assumption throughout the game that it was a work of parody–the several-inches deep layer of grease on the kitchen floor not a greater exaggeration than the PC’s absurd internal monologue. Surely the game is so stupid exactly because it’s undermining its nominal position. Of course, while writing the review, I was under the impression that the author was a woman (Wrong! Giannis is a Greek name which is the masculine form Gianna. The more you know.), and that therefore the PC must be a parody of the ridiculous caricatures of women we see in games and other media (maybe not?).

It’s against my policy to change my judgment after reading other reviews, so I’ll let this review stand as-is. I’d rather be too generous in my assumptions about other people than too harsh. In retrospect, though, if you take seriously the bits that I assumed to be failed comedy, then the game really does become rather unpalatable… so take this review with a grain of salt.

Posted in 2014, Freeware, Full Review, Interactive Fiction, Platform Independent | Tagged: , | Leave a Comment »

IFComp 2014: Raik

Posted by Tracy Poff on October 17, 2014

The second game I’m looking at this year is Raik by Harry Giles, which is written with Twine. According to the blurb, it is “A scots fantasia about anxiety. Battle kelpies, watch TV, avoid your emails and find the magical Staff of the Salmon.” Sounds amusing!

(This post contains spoilers. Read at your own risk.)

My spoiler warning above goes double for this game. Really definitely don’t read this without playing the game. I mean it.

When you start the game, you’re advised that you can “Learn about Scots and use a translator at“, and you are presented with a pair of links: gang and go. It looks from the outset as if the game is simply available in two languages–Scots and English–for flavor, and the “Translate to Scots” and “Translate to English” links that appear reinforce this. The text is even very similar in shape in each language. However, this is only a facade: there are two stories being told, and they are superficially unrelated.

In the Scots-language story, the PC struggles through the day, trying to fill time: “If ye can get tae hauf five, mebbe ye can get tae dinner, than mebbe ye can get tae bed.”

In the English-language story, the PC is on an epic quest: “You are searching for the Staff of the Salmon, whose magic alone will release your clan from the withering curse of Black Edward.”

At the bottom of each page of text is an option to ‘translate’ into the other language, which actually presents not a translation but the section of the story which is in the corresponding position in the other language: the stories are structurally the same. They are related in more ways that one: at the end of the English-language story, “You imagine another version of yourself, who stayed in bed that fateful day and even now lies frozen in time, unable to act, an endless scream seeking only relief.” In the most recent corresponding part of the Scots-language story, the PC is paralyzed by a panic attack.

My interpretation: the Scots-language story is ‘real’, and the English-language story is the PC’s way of dealing with life–or of not dealing with life, as the case may be.

The duality of the stories is very cool and well done. Though you could (mostly) play them separately, the English-language story serves as commentary on the Scots-language story. For example, when the PC of the Scots-language story is (figuratively) lost in a panic attack, the PC of the English-language story is (literally) lost in a maze. It’s an impressive way to use metaphor.

The individual stories are well-crafted, too. I particularly liked the use of links to pace the story. Early on, links interrupting the text make the story seem to move slower, but later they make the pacing seem more frantic–well done!

You’ll note that my praise is all for ‘meta’ aspects of the game–this is not an accident. The actual game isn’t all that interesting. The Scots-language story is dull (but it’s supposed to be, since it’s the ‘real-world’ part of the game) and the English-language story is far from engaging. However, the game is quite short (about fifteen minutes for a single playthrough), so this wasn’t a problem.

The language aspect could prove something of a problem. It’s easy enough to tell the general sense of the Scots-language story, but for most readers there will be many specific terms that require definition. It’s certainly the author’s intention to induce readers to learn more about Scots, which is fine, though I wonder how much effort the (non-comp-judging) general public will be willing to expend on comprehension. My own experience with Scots (other than Robert Burns) is limited to an encounter with the Scots Wikipedia, some years ago. At the time, I judged that the editors were treating Scots as a somewhat more dignified version of leet-speak, and put it from my mind. It seems to have done better since, though it still has very few editors.

According to the author, Raik was inspired by Depression Quest, which I have not yet played. I’d like to come back to this game after playing Depression Quest, to see how it affects my opinion. At any rate, I foresee myself continuing to revisit and think about this game in the future, which is about the highest praise that can be given to a ‘serious’ game like this.

Play time: about 40 minutes for several playthroughs.

Posted in 2014, Freeware, Full Review, Interactive Fiction, Platform Independent | Tagged: , , , | Leave a Comment »

IFComp 2014: Hill 160

Posted by Tracy Poff on October 17, 2014

A new year brings a new ifcomp. The first game, this year, is Hill 160 by Mike Gerwat, billed as “A World War I Adventure in Terror”. This appears to be Gerwat’s first comp entry, though he has released another game, Genesis Quest, which is available on the ifarchive.

(This post contains spoilers. Read at your own risk.)

Sadly, this first game is one I couldn’t finish. The author indicates that this game has been made easier to comply with the comp rules (the two-hour rule, I suppose), but I sincerely doubt that anyone will finish the game, because the walkthrough is a bit over 700 commands long. To complete the game you’d need to execute one (correct!) command every ten seconds. Judging by the walkthrough, in 48 minutes I got through about a sixth of the game.

If the game were only too long, I would have continued to play for the full two hours games are allotted. Unfortunately, the game has three crippling flaws: first, it is tedious; second, it is unfriendly (more on this later); third, it is buggy.

The tedium is, I presume, intentional: it’s intended to reflect the tedium of war. To that end, the game involves plenty of actions that are boring, repetitive, or both. The walkthrough contains (from about 700 turns) 57 turns of waiting, 19 turns of sleeping, and 16 turns of ‘again’, which are mostly sleeping or waiting. When you are acting, you are often doing something like drop pants / crap in trench / pull up pants.

The unfriendliness is the main reason I gave up. Any little thing you do that isn’t according to script will generally end the game. Leave the latrine without using it? “You didn’t take your shite! GAME OVER MATEY!”. Walk onto the battlefield without cleaning your rifle? “You didn’t clean your rifle! GAME OVER MATEY!”. Try to take the supplies you’re after, rather than asking for them? “GAME OVER MATEY!”.

It’s not generally obvious what you’re meant to do until you’ve already failed. How was I to know I had to clean the rifle? Its description didn’t mention anything. For that matter, how was I to know I had to attach the bayonet myself? The game over message tells me that “Your rifle is missing a critical part.”, but attempting to examine it again gives me “You’ve already examined the rifle.”. The game won’t let you examine anything twice, or talk to anyone twice. If you don’t have a transcript, you’d better have remembered the names of the members of your platoon–you won’t be seeing them again!

It’s not always obvious how to accomplish things, either. When you’re sent for supplies, trying to simply take them from the supply party gets you killed, but talk to party gives “You can’t talk to the supply party.” In fact, you must ask party for supplies. But talk to grant worked, earlier. The requirements are inconsistent. Once, when talking to Grant, you must salute (or game over!), but later, saluting isn’t necessary.

Finally, the game is buggy. If you talk to Grant in the Main Trench before going out on the recon mission, he gives the speech that he gave earlier about you needing to go pick up supplies. Waiting repeatedly will repeatedly give the text about Grant arriving. Sometimes waiting will just do nothing with no message at all. And it’s not strictly a bug, but take all should not open up every container and fill my inventory with several screens worth of cigarettes and grenades and things. It should just pick up the items I dropped. Very irritating!

All that said, the game does have its good points. The author indicates that it’s intended to be fairly realistic, based on his over 40 years of study, and there are plenty of interesting details. There are some detailed descriptions of certain items, and the language and situation are (apparently–the first World War is not my forte) also intended to be realistic. For my part, I’d enjoy it more simply exploring the environment than having the game nag at me about every minor detail (and the author promises that “When it goes up on the archive, it will be much harder with Release 2.” Not necessary!).

Hill 160 has potential, but I won’t be returning to the current release.

Play time: 48 minutes.

Posted in 2014, Freeware, Full Review, Interactive Fiction, Platform Independent | Tagged: , , | Leave a Comment »

Presentation Manager Robots

Posted by Tracy Poff on June 27, 2014

Another OS/2 game: Presentation Manager Robots, a port of BSD Robots to the OS/2 Presentation Manager. Incidentally, I’ve taken the screenshots in OS/2 2.1, this time, so enjoy the increased authenticity over my previous posts.


Quoting my pending MobyGames description:

Presentation Manager Robots is an implementation of BSD Robots. The player controls Smiley, who must avoid being destroyed by the Evil Killer Robots. On each turn, Smiley can either stand still or move into any of the eight adjacent positions, and the robots will move directly toward Smiley. If a robot catches Smiley by moving onto his position, the game is over. If two robots crash into each other, they are destroyed, leaving behind a heap of broken robots. If a robot crashes into a heap, it’s also destroyed.

The player has two options, if the robots surround Smiley. First, the player may choose, once per level, to use the Sonic Screwdriver, which will destroy all the robots adjacent to Smiley. Second, the player may choose to teleport to a random location in the level. This is not without risk, though, since Smiley may teleport beside a robot and lose.

The level is won when no robots remain. Later levels begin with more robots.


Presentation Manager Robots is a pretty standard port. It starts out easy, with just five robots on the first level, but rapidly increases in difficulty.


I made it to level 6 on my second try, which I suppose isn’t too bad.

There’s one annoyance to this port: no keyboard support. In order to move, you’ve got to click in the direction you want to go, and you click on Smiley to stand still for a turn. Robots is much better controlled with the keyboard, and I can’t imagine why this version doesn’t support that.

Other than the input issue, the game as much fun as Robots usually is. Worth a play, for sure! The game is actually still being distributed by its author, Kent Lundberg, from his homepage. It’s up to version 1.3 now (pictured above is 1.1), which he released under the GPL in May 2002, about nine years after its initial release in July 1993.

Posted in 1993, Freeware, Full Review, Good, OS/2, Strategy | Tagged: , , | Leave a Comment »

Dungeon Chess

Posted by Tracy Poff on June 25, 2014

I promised to write about some more interesting OS/2 games, so here’s one I thought was really neat: Dungeon Chess by Craig M. Seavey, Computer Scientist.

Yes, he credits himself as "Craig M. Seavey, Computer Scientist".

Yes, he credits himself as “Craig M. Seavey, Computer Scientist”.

This one’s a quite interesting variation on chess. I’ll just quote the description I used on MobyGames here:

Dungeon Chess is a board game similar to chess, played on an 8×8 board, called the dungeon. The player has access to sixteen weapons of five different types: eight Circs and two each of Arcs, Trigs, Rects, and Stars. Each weapon moves differently: Circs can move one room in any direction; Arcs move like knights in chess; Trigs, like chess bishops, move along diagonals; Rects, like chess rooks, move along the rows and columns; and Stars, like chess queens, can move any number of rooms either diagonally or along the rows and columns.

Circs and Trigs also have special abilities. Circs, like pawns in chess, can be morphed into any other type of weapon upon reaching the opponent’s home row. If a Trig is the last weapon available, it gains the ability to move like a Circ, so that it can access the whole dungeon.

When starting a new game, the player has the option of starting with an empty dungeon and placing his weapons manually when and where he chooses, or starting with the weapons already placed on the first two rows in a similar manner to the initial configuration of chess pieces.

Dungeon Chess keeps score, but only as an indicator for how the game is going. The game is won when all the opponent’s weapons have been captured–there is no checkmate in Dungeon Chess.

One major difference from chess is that the player can only see those rooms of the dungeon which one of his weapons can access. If, for example, the player has only a Rect left, then only the row and column the Rect occupies will be visible–and the view will be blocked by any weapons that are in the way of movement.

Two game modes are offered: Master and GrandMaster. In Master mode, the grid of the dungeon is clearly marked and visible rooms are colored differently. In GrandMaster mode, the dungeon is solid black, and the rooms that are visible aren’t marked, so the player must carefully inspect the positioning of the weapons to determine which rooms are definitely empty and which are simply out of view.

OS2 4.52-2014-06-24-13-21-08You can see in the above screenshot that there are three enemy Circs visible and a number of dark blue squares which may or may not contain enemy weapons, but which aren’t visible to me. This makes the game quite difficult! I’m reminded of Stratego, where you don’t know the rank of the enemy pieces until you attack them. The game of chess is quite different without perfect information.

Dungeon Chess is still sort of a parlour game, but it’s much more interesting than the bland conversions of Connect Four and such that I’ve been seeing. It’s a game that can only really work on a computer, since it wouldn’t be practical to play it on physical boards. You could do it with two boards and a moderator, but it’d be a pain.

This is something I really like to see: doing things in computer games that wouldn’t be possible for a physical game. For example, if you’re playing a computer pinball game, why not have effects that couldn’t be done on an electromechanical table? It can be done badly, of course, and there’s something to be said for accurate simulation of real-world games and toys, but I like to see people exploring the possibilities.

OS2 4.52-2014-06-24-13-23-42

GrandMaster mode is substantially harder, since the game doesn’t indicate which rooms are visible. Frankly, I prefer Master mode–it’s just too much trouble to work out which rooms are empty and which are just invisible, at least for me. Maybe some people who are more into strategy games would feel differently.

Dungeon Chess is single player, but it seems that it’s based on a multiplayer (network) game called ChessNet. There’s a chess game for Windows with that title from the right time period, but I think it’s not the same one. I’d like to see the multiplayer version of this game–it ought to be great fun.

There is actually still a version of this game around. Behold the modern homepage of Dungeon Chess. From the description, I suspect the modern version is really a different (if similar) game from this old one. I’m not shelling out $15 to find out, though.

Posted in 1993, Chess, Freeware, Full Review, Good, OS/2 | Tagged: | 2 Comments »

OS/2 parlour games by Peter Wansch

Posted by Tracy Poff on June 23, 2014

Continuing in the grand tradition of this blog, I’ve let time pass me by for a while with no updates. I’ve not been idle, though.

Recently, MobyGames started accepting OS/2 games, so I’ve been spending a bit of time looking at old freeware titles for OS/2. There are an absolutely shocking number of parlour games for that platform! Here’s a quick look at a few I’ve added to MobyGames lately, all by Peter Wansch.


First, Connect Four. It’s a straightforward implementation of the Milton Bradley game. You can see me losing, above.

OS2 4.52-2014-06-18-09-32-30

Second, Master Mind. Pretty straightforward as well, though this one does offer a Beginner difficulty, on which the four colors chosen must be distinct.

OS2 4.52-2014-06-23-10-38-03

Finally (and still pending approval, just now), Tic Tac Toe. This one is more interesting, because in addition to the regular 3×3 game board you see above, you can play on 3x3x3 or 4x4x4 boards.

OS2 4.52-2014-06-23-10-22-46

Pretty cool! Not exactly a new idea, of course. In 1978 alone, MobyGames lists two different games called “3-D Tic-Tac-Toe” and one called “Qubic”, which is a translation of the board game of the same name–a 4x4x4 version of Tic Tac Toe. Even if it’s not novel, it’s still more fun than playing the 3×3 game to a draw a hundred times.

All three of these were released in a compilation of games made OS/2 2.0 and above, Entertainment Pack for OS/2, and some of them (including these three) seem to have had separate releases of updated versions.

There’s one big flaw with these games: they’re single player only! I can’t understand why Wansch didn’t just let you turn off the AI and play with a friend. I mean, I realize that Master Mind is really better off as a single player game, but the other two are perfect for multiplayer games.

Wansch may have contributed a couple of dozen parlour games to OS/2 by himself, but there are many more. I haven’t really explored the available games in depth, but it looks to me like OS/2 has a much higher proportion of parlour games than, for example, Windows 3.1. I wonder why.

It’s not all checkers and Parcheesi, though. I’ll get some reviews of the more interesting games up, once I’ve added them to MobyGames. It’ll be a nice break–it’s surprisingly exhausting writing descriptions for simple games. I dread writing yet another explanation of how Tetris or Conway’s Game of Life works.

These games can be downloaded from this page, if you’re interested. Of course, you’d probably spend more time getting OS/2 installed than playing the games, so caveat ludor.

Posted in 1993, 1994, Connect Four, First Impressions, Freeware, Mastermind, OS/2, Tic Tac Toe | Tagged: , | 2 Comments »

Shufflecomp: Sparkle

Posted by Tracy Poff on May 19, 2014

Sparkle by Karly Di Caprio is an entry in Shufflecomp 2014. If you’re planning on playing and voting for games in this competition, you should probably stop reading now. And I should say that I intend to mention some serious spoilers, even more than usual, so be warned.

Compared to Nova Heart, the last game I played, Sparkle is a much more traditional piece of interactive fiction. Not merely because it’s parser-based and written in Inform–it has very much the traditional feel of interactive fiction. The introduction ends with “The road ends here at an abandoned cable car platform. The cableway leads directly to my destination. I must get it running, somehow.”, and inspecting the cable car reveals that it is locked to the platform with an iron bar, which is attached to the platform with bolts. I will need a wrench!

With this as motivation, I explored the surroundings, coming to a gate guarded by a dog. Then the game instructed me to “Find a quiet place to MEDITATE.” I’d just seen such a place, so I did as instructed, and the game revealed a piece of information–“dog equals flute”–and a new mechanic: “With this information I can CHANGE things INTO their counterpart identities. I can also THINK to recall previously learned information.”

I was fairly excited by the possibilities, at this point, but I’m afraid that Sparkle didn’t quite live up to my expectations. The rest of the game involves solving some pretty standard puzzles with the aid of the new mechanic. That’s all pretty solid, but the only way to learn which objects can be changed into which others is to inspect some objects, and then meditate. Some of the objects you’ve examined may work with the new command. Or maybe not.

My biggest disappointment with this game is that the changing-things-into-things mechanic turns out not to actually be a puzzle. The game tells you, of this mechanic, that “the key to true enlightenment is to observe the Pattern and to understand it,” but that’s a red herring. The pattern is that there is no pattern–according to the game, anything can be changed into anything. That’s not actually true, though: objects can only actually be turned into the counterparts the game specifies, and only after the game tells you that you can, too–nothing clever happens on repeated playthroughs.

Despite my disappointment with the game’s unique mechanic, Sparkle does have a few things to recommend it. There are a number of optional puzzles, listed by the game as achievements. I didn’t get all of them, but they seem to be well-integrated into the game. For example, during one event, you’re told that your clothes get wet, and later you discover an umbrella–the obvious thing is to (on a subsequent playthrough) get the umbrella first, and protect your clothes. And, indeed, this yields an achievement–nice. The achievement system does seem to be a little buggy, though–I got some achievements that I didn’t actually complete, and I think it didn’t always notify me when I got one.

Also, Sparkle is written in first person, but can optionally be put into second person, which is a neat gimmick.

Overall, I’m pretty pleased with this game. If it gets a post-comp release fixing the trouble with the achievements system, I might like to go back and try to complete some of the optional puzzles.

Play time: about 45 minutes.

Posted in 2014, Freeware, Full Review, Good, Interactive Fiction, Platform Independent | Tagged: , | 2 Comments »

Shufflecomp: Nova Heart: Don’t Be Standing Around While the Earth Dies Screaming, or: Who Is To Blame When the Owls Leave Candy Jail?

Posted by Tracy Poff on May 18, 2014

Nova Heart: Don’t Be Standing Around While the Earth Dies Screaming, or: Who Is To Blame When the Owls Leave Candy Jail? by Zenith J Clangor is an entry in Shufflecomp 2014. If you’re planning on playing and voting for games in this competition, you should probably stop reading now.

A bit of background: for Shufflecomp, prospective authors submitted a list of songs, which the organizer shuffled and sent back out. Authors were then to write a game inspired by (at least) one of the songs they were assigned (details). Nova Heart is inspired by seven songs.

I found Nova Heart‘s story to have a disjointed feel. There are sudden transitions and shifts in perspective, and the whole thing is rather bizarre. Intentionally, I assume.

Interesting language and vivid imagery are Nova Heart‘s strongest points.

You are in a woman’s clean white utopic apartment, one hundred floors above the city.

The wailing sirens of the deathpaddywagons are drawing closer. You have to run.

Run now.

There’s something forceful and immediate about this that I like. Between each paragraph, the game pauses, requiring a click (or press of the enter key) to proceed. I was more impressed by this before I saw the next line: “To run, type ‘run’ in the command box.” Indeed, typing ‘run’ is the only way to proceed from that point.

Nova Heart uses (what seems to me to be) a purpose-built javascript engine, and is played using a web browser (NB: the accompanying music doesn’t seem to play unless the game is played online). This engine allows the game to use both a text parser and mouse-based interaction. This would seem to allow for some very interesting modes of interaction, and the game does have a fairly nice bit where the PC is editing a news story, but that’s the high point.

The interactivity in Nova Heart is, for the most part, false. In the situation I described above, only typing ‘run’ allows the game to proceed, and no other command has any effect. This is generally true: at each moment, if any command is possible, only one command is possible. Nova Heart does not simulate a world; it just uses customized ‘continue’ commands. There are a couple of times in the game when the player may input a command sooner or later to get slightly different text, but the only real choice in the game is at the very end. There are, I think, six possible endings, though each is only a few paragraphs of text.

I think I’d like to play a game that has something of the style of Nova Heart, but more developed. Nova Heart is interesting as an experiment, but I wouldn’t generally recommend it as a game.

Posted in 2014, Freeware, Full Review, Interactive Fiction, Platform Independent | Tagged: , | Leave a Comment »


Posted by Tracy Poff on April 19, 2014

Today, a look at a game I’ve just added to MobyGames: Archery by Brian Blankenship.


Archery is a very simple shooting game. A target descends along the right side of the screen, and you have to push the spacebar at the right moment to let fly your arrow, with the aim of hitting the target as near the center as possible.


You get three shots (in a row) from each of five different starting locations, and shots that hit closer to the center score more points. You can play alone (for high scores, one assumes), against another player, or against the computer.


Interestingly, if you play against the computer, the computer can get a high score, too. Embarrassingly, the computer seems to be rather better at this game than I am.

The author, Brian Blankenship, wrote this game in 1985. On December 31, 2013, he posted the BASIC source code to the game on SourceForge. He posted a few comments on abandonware sites around the net. Here’s what he had to say:

I am honored to find sites like this still showing this game from so long ago. I wrote this while bored, waiting to be laid off from a law firm that was splitting up. I was playing “Track and Field” occasionally at arcades, and could barely make it to the archery part, which inspired me to make this game.

Yes, it is very lame by today’s standards, and in hindsight I could have made a lot of improvements. I tinkered with it while it held my interest, and released it to a few BBS’s in the Indianapolis, IN area. Had no idea it would see somewhat large distribution.

Even if Archery is “lame by today’s standards”, I found it to be quite a fun (though simple) game. I imagine it’d be worth playing with a friend, at least for a few matches.

Posted in 1985, Action, Archery, Decent, DOS, Freeware, Full Review, Shooter | Tagged: , , | Leave a Comment »